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By high school, I was already playing guitar constantly, joined my first band, and also did some busking in the Geelong mall in the summertime.
#DOUBLE NIGHTMARE THEME MUSIC HOW TO#
Dad also taught us both how to play guitar, which quickly became our favoured instrument. Dad and Mum both played guitar and sang, and they bought a piano when my sister Bec and I were quite young, so we got lessons. Tell us a little bit about your music journey.ĬLAIRE BIRCHALL: I grew up in a musical family down the coast, just outside of Geelong. We chatted with Claire about Running In Slow Motion and her musical journey.
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Today we’re premiering the album’s title track which sounds somewhere between UK band Broadcast, France’s Marie Davidson and the Australian cult classic “Cold Café” by Karen Marks. It’s a moody, emotive, darkwave synth-pop collection of songs that Claire wrote and recorded herself on a 4-track, and is a departure from her usual indie rock exploits. The Los Angeles Times called Nightmare "draggy" and wrote: "Its opening scenes are effective, but things go haywire fast.Melbourne musician Claire Birchall is set to release album Running In Slow Motion April 24th through It Records. a modest melodrama with some crooked turns but neat performances. In a contemporary review for The New York Times, critic Milton Esterow called the film ". Robinson does not portray the hypnotist in the film, he was promoted as such in the film's promotional materials. They also provide the theme song, "Nightmare in New Orleans." Īlthough Edward G. īilly May and His Orchestra perform in the film as themselves. The film was intended as the first of three films for United Artists, with the others to be Lincoln McEever and The Mountain Has No Shadow, although these were never produced. The company was renamed Pine-Thomas-Shane to reflect the contribution of long-time screenwriter Maxwell Shane, and the titular Pine was Howard Pine, William Pine's son. The company signed a contract with United Artists, but William H. The film was the first production of Pine-Thomas-Shane Productions, a new iteration of Pine-Thomas Productions, which had been based at Paramount from 1940 to 1954. Billy May and His Orchestra as Themselves.Bressard now must prove that although Grayson committed the murder, he was acting against his will. They learn that a hypnotist living in Grayson's building may have caused him to commit the murder. Grayson, stressed and suicidal, protests his innocence, which makes Bressard dig deeper.
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When he finds that a murder did indeed take place, Bressard suspects Grayson. They then discover that the house contains a mirrored room as in Grayson's dream. The slowed music becomes the song from Grayson's nightmare. After they find a record player and begin dancing, Grayson's girlfriend bumps into the phonograph, changing the speed.
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Grayson leads them to the empty house from his dream, and it begins to rain. Later, the two men take a picnic in the country with Grayson's girlfriend and sister. Grayson tells his brother-in-law, police detective Rene Bressard, about the problem but is dismissed. He awakens to find blood on himself, bruises on his neck and a key from the dream in his hand. New Orleans big-band clarinetist Stan Grayson experiences a nightmare in which he sees himself killing a man in a mirrored room, while in the background haunting dirge-like music plays.